Stall (Closed), 2014, Inkjet print, 82X100 cm
Stall (Closed), 2014, Inkjet print, 82X100 cm
Khamis’s Kitchen, 2015, Inkjet print, 130X160 cm
Khamis’s Kitchen, 2015, Inkjet print, 130X160 cm
Oven, 2015, Inkjet print, 130X160 cm
Oven, 2015, Inkjet print, 130X160 cm
Storage Places, 2015, Inkjet print, 130X160 cm
Storage Places, 2015, Inkjet print, 130X160 cm
Dining Corner, 2015, Inkjet print, 82X100 cm
Dining Corner, 2015, Inkjet print, 82X100 cm
Kitchen (front view), 2015, Inkjet print, 82X100 cm
Kitchen (front view), 2015, Inkjet print, 82X100 cm
Kitchen (rear view), 2015, Inkjet print, 82X100 cm
Kitchen (rear view), 2015, Inkjet print, 82X100 cm
Abu Jabel, 2015, Inkjet print, 82X100 cm
Abu Jabel, 2015, Inkjet print, 82X100 cm
Hamed Alnnil's Bench, 2014, Inkjet print, 130X160 cm
Hamed Alnnil's Bench, 2014, Inkjet print, 130X160 cm
Untitled (Line), 2015, Inkjet print, 82X100 cm
Untitled (Line), 2015, Inkjet print, 82X100 cm
Aboud’s Bed, 2015, Inkjet print, 130X160 cm
Aboud’s Bed, 2015, Inkjet print, 130X160 cm
Untitled (Filling), 2015, Inkjet print, 82X100 cm
Untitled (Filling), 2015, Inkjet print, 82X100 cm
Abdelrazik’s Bench, 2014, Inkjet print, 130X160 cm
Abdelrazik’s Bench, 2014, Inkjet print, 130X160 cm
Mosque, 2016, Inkjet print, 82X100 cm
Mosque, 2016, Inkjet print, 82X100 cm
Kitchen, 2015, Inkjet print, 82X100 cm
Kitchen, 2015, Inkjet print, 82X100 cm
Roof, 2016, Inkjet print, 130X160 cm
Roof, 2016, Inkjet print, 130X160 cm
If You’re Asking Me I’m Staying, 2015, 2014, Inkjet print, 130X160 cm
If You’re Asking Me I’m Staying, 2015, 2014, Inkjet print, 130X160 cm
Bisharah and Anwar’s Tree, 2015, Inkjet print, 82X100 cm
Bisharah and Anwar’s Tree, 2015, Inkjet print, 82X100 cm
Hamed Alnnil’s Kitchen, 2014, Inkjet print, 82X100 cm
Hamed Alnnil’s Kitchen, 2014, Inkjet print, 82X100 cm
Ibrahim Tuayisha’s Gym, 2015, Inkjet print, 130X160 cm
Ibrahim Tuayisha’s Gym, 2015, Inkjet print, 130X160 cm
Adam, Omar and Hamis’s Smoking Corner, 2015, Inkjet print, 82X100 cm
Adam, Omar and Hamis’s Smoking Corner, 2015, Inkjet print, 82X100 cm
Sorghum Plot, 2015, Inkjet print, 130X160 cm
Sorghum Plot, 2015, Inkjet print, 130X160 cm
Sitting Corner, 2015, Inkjet print, 82X100 cm
Sitting Corner, 2015, Inkjet print, 82X100 cm
Muawyiah’s Place, 2015Inkjet print, 130X160 cm
Muawyiah’s Place, 2015Inkjet print, 130X160 cm
Foundations, 2014, Inkjet print, 130X160 cm
Foundations, 2014, Inkjet print, 130X160 cm
Tiko’s Kitchen, 2014, Inkjet print, 82X100 cm
Tiko’s Kitchen, 2014, Inkjet print, 82X100 cm
Abdulrahman's Place, 2016, Inkjet print, 82X100 cm
Abdulrahman's Place, 2016, Inkjet print, 82X100 cm
Dining Corner, 2015, Inkjet print, 82X100 cm
Dining Corner, 2015, Inkjet print, 82X100 cm
Hassan's Place, 2016, Inkjet print, 82X100 cm
Hassan's Place, 2016, Inkjet print, 82X100 cm
Dining Corners, 2016, Inkjet print, 130X160 cm
Dining Corners, 2016, Inkjet print, 130X160 cm
Storage, 2015, Inkjet print, 82X100 cm
Storage, 2015, Inkjet print, 82X100 cm
Mosque, 2016, Inkjet print, 130X160 cm
Mosque, 2016, Inkjet print, 130X160 cm
Butra 2015- Short Version

Video, 1:40 min

Butra (2015). In a one-shot monologue given by one of the refugees in Holot, we receive explanations (in broken Hebrew) for three photographs of trees by Ron Amir, which are included in the show

Coffee - Short Version

Video, 6:00 min

Coffee (2015). A long single-shot video captures a man in a make-shift kiosk, laboriously preparing two cups of coffee. Seemingly, the coffee is made for a couple of refugees sitting nearby, yet both of them and the vendor all leave the scene before the coffee is served

Don't Move - Short Version

Video, 19:08 min

Don’t Move (2015). This piece documents the photographer during his work with the refugees, trying to keep them still for taking long-exposure photograph in his large format camera, while they are using their mobile phones to photograph him. Thus, an interesting dialogue between the history of photography (the “obsolete” large format process versus the contemporary uses of mobile cameras) and the backstage of socially engaged documentation is opened up

Idris, 2015 - short Version

Vide, 0:55 min

Idris (2015). A young refugee is seen sitting on a rock outside, waiting, and listening to African music, while nothing happens and there seems to be no reason for his waiting

Mollo and Efrem - Short Version

Video, 27:17 min

Mollo and Efrem (2015). Two refugees are seen from afar sitting on a low sand ridge, talking. While one video shows their entire time spent on that spot, the adjacent video shows only the last 90 seconds when they decide to leave, after receiving a phone call. The self-absorbed conversation and waiting is suddenly broken by a mundane act of communication with the 'outside' world and leaving the site. This long sequence unsettles viewers' orientation with the linearity of expectation and narrative

 Stall (Closed), 2014, Inkjet print, 82X100 cm
Khamis’s Kitchen, 2015, Inkjet print, 130X160 cm
Oven, 2015, Inkjet print, 130X160 cm
Storage Places, 2015, Inkjet print, 130X160 cm
Dining Corner, 2015, Inkjet print, 82X100 cm
Kitchen (front view), 2015, Inkjet print, 82X100 cm
Kitchen (rear view), 2015, Inkjet print, 82X100 cm
Abu Jabel, 2015, Inkjet print, 82X100 cm
Hamed Alnnil's Bench, 2014, Inkjet print, 130X160 cm
Untitled (Line), 2015, Inkjet print, 82X100 cm
Aboud’s Bed, 2015, Inkjet print, 130X160 cm
Untitled (Filling), 2015, Inkjet print, 82X100 cm
Abdelrazik’s Bench, 2014, Inkjet print, 130X160 cm
Mosque, 2016, Inkjet print, 82X100 cm
Kitchen, 2015, Inkjet print, 82X100 cm
Roof, 2016, Inkjet print, 130X160 cm
If You’re Asking Me I’m Staying, 2015, 2014, Inkjet print, 130X160 cm
Bisharah and Anwar’s Tree, 2015, Inkjet print, 82X100 cm
Hamed Alnnil’s Kitchen, 2014, Inkjet print, 82X100 cm
Ibrahim Tuayisha’s Gym, 2015, Inkjet print, 130X160 cm
Adam, Omar and Hamis’s Smoking Corner, 2015, Inkjet print, 82X100 cm
Sorghum Plot, 2015, Inkjet print, 130X160 cm
Sitting Corner, 2015, Inkjet print, 82X100 cm
Muawyiah’s Place, 2015Inkjet print, 130X160 cm
Foundations, 2014, Inkjet print, 130X160 cm
Tiko’s Kitchen, 2014, Inkjet print, 82X100 cm
Abdulrahman's Place, 2016, Inkjet print, 82X100 cm
Dining Corner, 2015, Inkjet print, 82X100 cm
Hassan's Place, 2016, Inkjet print, 82X100 cm
Dining Corners, 2016, Inkjet print, 130X160 cm
Storage, 2015, Inkjet print, 82X100 cm
Mosque, 2016, Inkjet print, 130X160 cm
Butra 2015- Short Version
Coffee - Short Version
Don't Move - Short Version
Idris, 2015 - short Version
  Mollo and Efrem - Short Version
Stall (Closed), 2014, Inkjet print, 82X100 cm
Khamis’s Kitchen, 2015, Inkjet print, 130X160 cm
Oven, 2015, Inkjet print, 130X160 cm
Storage Places, 2015, Inkjet print, 130X160 cm
Dining Corner, 2015, Inkjet print, 82X100 cm
Kitchen (front view), 2015, Inkjet print, 82X100 cm
Kitchen (rear view), 2015, Inkjet print, 82X100 cm
Abu Jabel, 2015, Inkjet print, 82X100 cm
Hamed Alnnil's Bench, 2014, Inkjet print, 130X160 cm
Untitled (Line), 2015, Inkjet print, 82X100 cm
Aboud’s Bed, 2015, Inkjet print, 130X160 cm
Untitled (Filling), 2015, Inkjet print, 82X100 cm
Abdelrazik’s Bench, 2014, Inkjet print, 130X160 cm
Mosque, 2016, Inkjet print, 82X100 cm
Kitchen, 2015, Inkjet print, 82X100 cm
Roof, 2016, Inkjet print, 130X160 cm
If You’re Asking Me I’m Staying, 2015, 2014, Inkjet print, 130X160 cm
Bisharah and Anwar’s Tree, 2015, Inkjet print, 82X100 cm
Hamed Alnnil’s Kitchen, 2014, Inkjet print, 82X100 cm
Ibrahim Tuayisha’s Gym, 2015, Inkjet print, 130X160 cm
Adam, Omar and Hamis’s Smoking Corner, 2015, Inkjet print, 82X100 cm
Sorghum Plot, 2015, Inkjet print, 130X160 cm
Sitting Corner, 2015, Inkjet print, 82X100 cm
Muawyiah’s Place, 2015Inkjet print, 130X160 cm
Foundations, 2014, Inkjet print, 130X160 cm
Tiko’s Kitchen, 2014, Inkjet print, 82X100 cm
Abdulrahman's Place, 2016, Inkjet print, 82X100 cm
Dining Corner, 2015, Inkjet print, 82X100 cm
Hassan's Place, 2016, Inkjet print, 82X100 cm
Dining Corners, 2016, Inkjet print, 130X160 cm
Storage, 2015, Inkjet print, 82X100 cm
Mosque, 2016, Inkjet print, 130X160 cm
Butra 2015- Short Version

Video, 1:40 min

Butra (2015). In a one-shot monologue given by one of the refugees in Holot, we receive explanations (in broken Hebrew) for three photographs of trees by Ron Amir, which are included in the show

Coffee - Short Version

Video, 6:00 min

Coffee (2015). A long single-shot video captures a man in a make-shift kiosk, laboriously preparing two cups of coffee. Seemingly, the coffee is made for a couple of refugees sitting nearby, yet both of them and the vendor all leave the scene before the coffee is served

Don't Move - Short Version

Video, 19:08 min

Don’t Move (2015). This piece documents the photographer during his work with the refugees, trying to keep them still for taking long-exposure photograph in his large format camera, while they are using their mobile phones to photograph him. Thus, an interesting dialogue between the history of photography (the “obsolete” large format process versus the contemporary uses of mobile cameras) and the backstage of socially engaged documentation is opened up

Idris, 2015 - short Version

Vide, 0:55 min

Idris (2015). A young refugee is seen sitting on a rock outside, waiting, and listening to African music, while nothing happens and there seems to be no reason for his waiting

Mollo and Efrem - Short Version

Video, 27:17 min

Mollo and Efrem (2015). Two refugees are seen from afar sitting on a low sand ridge, talking. While one video shows their entire time spent on that spot, the adjacent video shows only the last 90 seconds when they decide to leave, after receiving a phone call. The self-absorbed conversation and waiting is suddenly broken by a mundane act of communication with the 'outside' world and leaving the site. This long sequence unsettles viewers' orientation with the linearity of expectation and narrative

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